Because texture has appealing and physical features, designers want to experiment with it (see Figure 3.8). Media space or the printed substrate itself might have compositional texture. Whatever is available will be used by designers to create textures for their works of art.
Textures can be made in a number of ways, such as by using typography, raster/vector graphics editors like Photoshop or Adobe Illustrator, or by taking pictures of real-world objects with a camera.
This Is Created By Placing Different Textural Surfaces Together
A presentation’s visual attractiveness can be substantially enhanced and the audience’s comprehension of the material delivered can be deepened through careful manipulation of texture.
A two-dimensional design project can benefit from the visual complexity and tactile depth that texture provides.
It can also operate as a unifying component among several designs or develop into a distinctive feature of a brand or series of messages.
The tactile characteristics of a design creation are influenced by the substrate we print on. Surfaces can be constructed of paper, plastic, concrete, metal, wood, or cloth and can be smooth, textured, shiny, matte, thick, transparent, opaque, or any combination of these.
By using numerous coatings of varnish that reverse the substrate’s tactile effect on the paper’s initial look, you can create paper with two or more of these qualities. The substrate should either contrast with or support the main theme and subject matter of a piece to maximise its impact.
The Tactile And Visual Experience Of The Viewer
The substrate texture used affects both the viewer’s touch and visual experience. Smooth, frosty, and hard surfaces are typical characteristics of glossy surfaces.
As the ink rests on the paper’s surface rather than being absorbed by it, a sense of correctness penetrates them. A matte paper with a texture feels natural, friendly, and warm since the ink is partially absorbed by the paper and is influenced by and fused to its softer features as a result.
Although technically a component of texture, pattern deserves special consideration because of its exceptional ability to hold meaningful content and its lengthy and significant cultural history. Every design is nothing more than a grid-organized collection of dots and lines.
Their “taste” is an expression of the individuals, locations, and things involved in their production. A fantastic technique to add some flavour to a design is to subtly include a pattern into the overall theme.
A designer might use pattern to decoratively reinforce the organisational notions they’ve established, for instance, if the grid is based on the square and the texture of the pattern is also based on the square.
When viewed separately, the pattern’s individual components blend into the whole. The employment of a graphic element that can be focused on in several ways—such as a circle, square, logo, or symbol—by the designer has successfully achieved this.
In modern design, pattern offers the chance to give otherwise flat pages or websites a relevant texture. Thanks for reading our article This Is Created By Placing Different Textural Surfaces Together.